Skip to content
You are here: Blog arrow Categoryarrow Body Poetry and Politics

Aurora Levins Morales

Category >> Body Poetry and Politics

Monday, May 4, 2009

10:45 am. Social Security Office, Berkeley, CA

It takes an hour and half, even with the help of a very friendly social worker, to fill out all the paperwork on my application for disability benefits and Medicare.  I turned fifty-five in February and the premiums on my already costly insurance shot up to $1200 a month.  Even with all my papers in order and clear evidence that I have not been able to work for three years, it will take another year before the government starts paying for a portion of my medical expenses, which overshadow every other item in my budget.  


JUNE 30TH

My wheelchair is an exoskeleton protecting the soft body offatigue. I get out of bed, walking slowly on my curved foot and my overworked one; the foot that cramps and aches and curls inward onto its edge trying to figure out where it is, to reconnect, and the foot that does more than its share and gets tired, the heroic and sullen foot that steps in to carry the limp. My whole body aches and trembles with what people call fatigue as if it had anything to do with a long work week, a tiresome commute, the ordinary, “boy I’m bushed!” of ordinarily tired people. I carry the fatigue down the stairs to the shed, unlock the shed, unlock the padlocks, unplug the recharger cable, slide into the seat, and suddenly I am uplifted and embraced. Comfortable foam cushions me from below and behind, and I’m surrounded by the yellow ribs of this new body, rest on new leg bones. I relax into this enameled-steel-mid-wheeled statement to the world that I can’t walk another step. I no longer have to tell the people on the buses and trains to get up out of the specially marked blue symbol seats. My new outer shell says it for me. People step aside, apologize for being in my path, stand without being told, so I can be strapped into place for my bus ride. The chair speaks for me, a new and less exhausting form of speech. It’s the shiny carapace that lets the world know my species.